她用舞蹈展示瞭這個隻屬於女性的空間

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▼視頻，video

女性飾品題材本質上是一場關於自我的演示或掩飾，因此場景必須被戲劇化。自戀及脆弱乃至略有傷感的場景貫穿著明確理性的強質序列，並由這樣的組織通過貫行的自由與不確定感中獲得關於美的復雜體驗。

The female accessorize theme is essentially a demonstration or disguise about the themselves， so the scene must be dramatized. Narcissistic and fragile and even sad scenes run through a clear rational sequence， and by such organizations through the space of freedom and uncertainty is to get a complex experience of aesthetics.

▼舞蹈展示戲劇化的場景，dance showing the dramatized scene

舞蹈傢 ZOEY 沿著場所中設置的人行動線進行即興的現代舞表演。在所記錄的大約 1000 張照片的串聯視頻中再現瞭多層交互的人流關系。而每一張靜態照片也都來自與這 1000 張照片的堆棧。1/1000，指的是單一成果與過程的對照，和由此聯想開的全部。

Dancer ZOEY Performs improvised modern dance performances along the flow hierarchy set up in the place. The multi-layer interaction flow is reproduced in the serial video of about 1000 pictures recorded. And every static photo is also from the stack of these 1000 photos.1/1000，refers to contrast of a single result and the process，and thus association of all.

▼多層交互的人流關系，引人遐想，the multi-layer interaction flow enriches the imagination

玻璃是近代建築材料中情緒最豐富的產物，因為透明性，是一種實際的虛無感與可以觸碰的危機感。同時，它還存在一個隱性的巨大工藝優勢，即無法不精確的成品構成。在一個對工程落地速度要求極高同時希望保持較好工藝品質的項目裡，它近乎是不二選擇。

Glass is the most abundant product of modern building materials， because transparency is a real sense of nothingness and has a sense of crisis that can be touched. At the same time， it also has a potential great craft advantage， that is， the product can not be inaccurate. In a project that requires high efficiency but also desire to maintain a better quality， it is almost the best choice.

▼精細而又縹緲的玻璃構件，diaphanous glass components

在一個快速變化的產品流裡，產品本身無法進行有效的材質，形式，顏色，風格的歸類，唯一能組織各類飾品的事物是尺度與情緒。它類似一個空間化的產品目錄，通過既定的尺寸進行第一印象上快速擴初式的查閱。

In a fast-changing product stream， the product itself can not be effectively classified by their material， form， color and style. The only thing that can categorize all kinds of accessorize is the scale and mood. It uses space to categorize product， through the established size as first impression to reference.

▼既定的空間尺度有助於展示快速變化的產品，fast-changing products exhibited in established sized space

我們試圖以更多元化的藝術因素，用更綜合表現方式，來探索一個空間作品的邊界，或者說是女性題材的情景邊界。並希望以抽象的場景語言與舞蹈語言結合所闡述的並非單薄的形式美感，而是更貼近當下的復雜的女性語言：危險與脆弱，自信與自省，懸浮與碎片化，自我主義與環境折射。

We try to explore the boundaries of a space use diversified artistic factors with a more comprehensive manifestation.， or to say the scene of the female subject scene.And hope that the abstract scene language and dance language combination is not just elaborated in the form of thin beauty，But more close to the current complex female language：danger and fragility，self-confidence and introspection， suspension and fragmentation， egoism and environmental refraction.

▼舞蹈與空間表達當下復雜的女性語言，dance and space expressing the current complex female language